LAST TRAIN Lightroom preset pack by Deniz Demir, with a grainy Tokyo alley at night on the cover.
Seven Tokyo photographs comparing the Core, Cool, Filmic, Dreamer, Character, Fluo and Warm looks in LAST TRAIN.
LAST TRAIN preset families: Core, Cool, Filmic, Dreamer, Character, Fluo and Warm.
Before and after a Tokyo festival procession edited with Yokochō, showing warmer colour and softer highlights.
Before and after Chūō After Dark: a seated man beside a vending machine, with cool cyan light and film grain.
Before and after Lost in Kabukichō: two people in a small restaurant kitchen, with soft pink highlights and faded texture.
Before and after Late Night Konbini: a person behind an outdoor staircase, with deep teal shadows and yellow-green light.
Before and after Shūden: a Tokyo festival crowd beneath illuminated signs, with blue evening tones and warm orange accents.
Before and after Jidōhanbaiki: a pedestrian outside Nakano Station, with cool fluorescent light and pink-red signs.
Before and after Red Signal: a man walking through a mirrored passage, with cyan ceiling lights and warm red reflections.
Character: Shūden, one preset with strong contrast and restless night colour.
Cool: blue, teal and violet with warm illuminated details. Five presets: Chūō After Dark, Empty Platform, Last Train to Ueno, Midnight Kaisoku and Shinjuku Rain.
Core: warmth, contrast and city colour. Eight presets: Ekimae, Kaisatsu, Kissaten, Platform Three, Seibu, Under the Yamanote, Yokochō and Yūrakuchō.
Dreamer: soft colour and atmospheric artificial light. Four presets: 1 AM Shinjuku, 2 AM 2049, Departure Melody and Late Night Konbini.
Filmic: print-inspired warmth, muted colour and neon. Five presets: Kissa Express, Kōenji no Yoru, Lost in Kabukichō, Shibuya Afterhours and Shōwa Memories.
Fluo: Jidōhanbaiki, one preset with pale cool light and pink undertones.
Warm: amber, copper and red-led looks. Three presets: Kaerimichi, Last Order no Jikan and Red Signal.
LAST TRAIN Lightroom preset pack by Deniz Demir, with a grainy Tokyo alley at night on the cover.
Seven Tokyo photographs comparing the Core, Cool, Filmic, Dreamer, Character, Fluo and Warm looks in LAST TRAIN.
LAST TRAIN preset families: Core, Cool, Filmic, Dreamer, Character, Fluo and Warm.
Before and after a Tokyo festival procession edited with Yokochō, showing warmer colour and softer highlights.
Before and after Chūō After Dark: a seated man beside a vending machine, with cool cyan light and film grain.
Before and after Lost in Kabukichō: two people in a small restaurant kitchen, with soft pink highlights and faded texture.
Before and after Late Night Konbini: a person behind an outdoor staircase, with deep teal shadows and yellow-green light.
Before and after Shūden: a Tokyo festival crowd beneath illuminated signs, with blue evening tones and warm orange accents.
Before and after Jidōhanbaiki: a pedestrian outside Nakano Station, with cool fluorescent light and pink-red signs.
Before and after Red Signal: a man walking through a mirrored passage, with cyan ceiling lights and warm red reflections.
Character: Shūden, one preset with strong contrast and restless night colour.
Cool: blue, teal and violet with warm illuminated details. Five presets: Chūō After Dark, Empty Platform, Last Train to Ueno, Midnight Kaisoku and Shinjuku Rain.
Core: warmth, contrast and city colour. Eight presets: Ekimae, Kaisatsu, Kissaten, Platform Three, Seibu, Under the Yamanote, Yokochō and Yūrakuchō.
Dreamer: soft colour and atmospheric artificial light. Four presets: 1 AM Shinjuku, 2 AM 2049, Departure Melody and Late Night Konbini.
Filmic: print-inspired warmth, muted colour and neon. Five presets: Kissa Express, Kōenji no Yoru, Lost in Kabukichō, Shibuya Afterhours and Shōwa Memories.
Fluo: Jidōhanbaiki, one preset with pale cool light and pink undertones.
Warm: amber, copper and red-led looks. Three presets: Kaerimichi, Last Order no Jikan and Red Signal.

Last Train Preset Pack

¥5,900 ¥7,900

Colour has always been a huge part of my photography, shaping the way I see and interpret the world. LAST TRAIN is how I bring that feeling into the edit.

Colour has always been a huge part of my photography, shaping the way I see and interpret the world. LAST TRAIN is how I bring that feeling into the edit.

Find your LAST TRAIN look.

Seven families, from subtle shifts to something a little more experimental.

Choose a look, then drag to compare.

These are my finished edits, including exposure, white balance and modifier adjustments.

Yokochō before editingYokochō finished editBEFOREAFTER
Red Signal: warm red neon spilling over a Tokyo restaurant and its diners
Red Signal — pushed a little warmer.

Built around feeling.

Colour has always been a huge part of my photography. It’s how I express mood and emotion—how I bring a photograph closer to what being there felt like.

Sometimes that means keeping things subtle. Sometimes it means pushing the blues, letting the reds take over, or making a warm scene feel almost too warm. I wanted LAST TRAIN to leave room for all of that.

These are the looks I’ve been using on my own photographs—from crowded festivals and fluorescent stations to quiet side streets and the walk home.

Build your edit,
one step at a time.

I built this pack as a modular system, with the tools arranged in the order you can work through them. Start with a preset, adjust your exposure and white balance, then build from there: atmosphere, curves, glow, grain, light shaping, separation, shadows and finishing touches.

You can adjust the strength as you go, skip a step, or stop whenever the photo feels right. The masking tools each create their own adjustable mask, so you can fine-tune individual effects and decide exactly where they belong in your image.

That flexibility matters to me. I want a starting point that helps me find the feeling in a photograph, with enough control to take it somewhere of my own.

Yokochō edit notes showing filmic texture, soft bloom, subject spotlight, open carriage and gentle contrast
Tap to enlarge the edit notes

Inside LAST TRAIN

The seven LAST TRAIN families: Core, Cool, Filmic, Dreamer, Character, Fluo and Warm

27 presets

Seven families to explore: Core, Cool, Filmic, Dreamer, Character, Fluo and Warm.

42 modifiers

Eight tool groups to shape your edit, plus Background Bloom Reset.

Preset + Tool Guides

Guides to help you get to know the presets and build your edit with the tools.

Compatibility & installation

Built for a desktop workflow in Adobe Lightroom Classic. Use the latest version for the masking tools, and keep Lightroom up to date. Adobe Lightroom is purchased separately.

How do I install the pack?
  1. Unzip the main download and open the Install folder.
  2. In Lightroom Classic, open a photo in Develop. Click + beside Presets → Import Presets.
  3. Select LAST TRAIN - Import into Lightroom.zip. Leave this inner ZIP zipped—it contains the looks and tools.

You’ll find LAST TRAIN and its tool groups in the Presets panel. Apply a masking tool there, then open Masks to adjust it. If Lightroom asks to update an AI mask, let it finish and check the selection.

The download includes a START HERE installation file, plus the Preset Guide and Tools & Modifiers Guide in PDF and offline HTML formats.

Can I use it on mobile or an older Lightroom version?

The installation instructions cover Lightroom Classic on desktop. The full LAST TRAIN workflow has not been verified on Lightroom mobile, Lightroom (cloud-based), or older versions, so equivalent behaviour across those apps isn’t guaranteed.

Adobe supports syncing presets from Lightroom (cloud-based) on desktop to mobile; presets do not sync directly from Lightroom Classic. Mobile masking requires premium access. Adobe’s preset syncing guide.

I’ve put a lot of work into these, testing and refining them across thousands of my own images. I hope you’ll love using them as much as I do.

By Deniz Demir.